KAC announces a solo exhibition with Houston artist Hillevi Baar on view at Gensler Houston. The inspired creator of intricate installation-based works, Baar views herself as not only an artist but also as a facilitator who assists her medium of Mylar to reside in it's intended and natural state. Her active interplay with medium explores variations in form, often derived from interactions observed between wind, water, plant life and shadow play.
"Float" by Baar in Gensler's reception
Baar’s experimentation with Mylar is particularly evident in "Float," a site-specific installation created for Gensler’s reception. This elegant suspended sculpture investigates the balance between meticulous strategizing and spontaneous on-site manipulation in response to the environment. Baar began creating this piece by carefully scoring the Mylar to intentionally mimic the linear forms throughout Gensler’s space.
References to nature are also seen in "Wild Flowers," a wave-like form installed along Gensler's Conference Corridor comprised of Mylar and steel pins resembling delicate branches. These complex elements seem to grow from the wall, fusing into one fluid shape that gently sways with the flow of foot traffic. These slight movements expose individualized drawings hidden between the intricate layers.
This interactive component allows the viewer to experience the piece in its entirety, while also inviting the study of each self-contained drawing. Conversely, "Unraveled" in the Coffee Corridor beckons the viewer to quietly approach the finely cut and tapering suspended Mylar sheet to fully experience the highly detailed graphite drawings within.
Baar is continuously experimenting with the dimensionality and boundaries of medium to transform the environments of numerous corporate and private spaces. This exhibition was curated by Kinzelman Art Consulting on behalf of Gensler.
Portland based artist Elizabeth Atterbury talks art, inspiration, and the transition of being a new mother with KAC in our latest Interview Interview.
Myke Venable's work investigates the infinite potential and purity in shape indicating a visual representation of his own paired-down universe. From detailed sketches in an open notebook on the worktable to mathematical drawings tacked to the wall, Venable's studio is a perfect diagram of his working and theoretical process. During our visit, KAC viewed Venable's newest body of work and saw how his paintings have evolved into what they are today.
While teaching at The Art League in Houston, Venable rediscovered his love of drawing. He has since dedicated one of the largest walls in his small studio to colorful geometric explorations, mapping out on paper his ongoing study of the complex relationship between shape and color. While he views his drawings as independent works, they also serve as inspiration for shaping his large canvas and panel paintings.
The drawings come to life on wood panels covered with pristine layers of acrylic paint squeezed straight from the tube. Mixing colors, he explains, would complicate his process of instinctually matching color and shape. Venable then focuses on creating thought provoking relationships through the particular arrangement of each element on the wall.
Venable’s newest paintings cleverly juxtapose not quite symmetrical shapes with slightly irregular placements and parings. Tension builds within the negative space between the paintings as they barely touch, leaving the viewer to question whether the forms are merging together, floating apart or statically coexisting. Every combination creates a new dynamic that alters the energy of the cluster itself, therefore impacting the space in which it resides.
Hidden at the end of a beautiful lot densely populated by lush Houston greenery, Libbie Masterson's studio feels like her own personal oasis. The high ceilings and large windows yield a flood of soft natural light ideal for viewing her vast array of work including photographs, paintings, watercolors, glass mosaics and even stage set maquettes.
Masterson's lively persona is a striking counterpart to her tranquil, contemplative work. Our studio visit began with a look at her new glass mosaics, an extended exploration of her large-scale installation at the Houston Hobby Airport. These works are heavily influenced not only by Masterson's affinity for nature, but also music. Masterson shared her life-long fantasy of composing a symphony, and explained to KAC how she incorporates this hidden passion into her work by listening to songs on repeat and allowing the music to dictate the emotional direction of each mosaic.
The imaginative glass compositions provide a splash of color to Masterson's otherwise monochromatic studio, filled with icy landscape photographs of deep grays, blues, and whites. These mesmerizing and meditative photos are back-lit and displayed as illuminated light boxes. Masterson walked us through the rewarding process of working with the light boxes, and calculating the perfect hue and strength of light to properly enhance the imagery without overpowering it.
Masterson’s dream project: set design for an entire opera! Her infinite sources of inspiration and matching talent pose a promising future of endless possibilities and exploration. Be sure to attend her upcoming exhibition, opening September 10th 2016 at Catherine Couturier Gallery, who represents Masterson in Houston.
On our latest studio visit, KAC got an inside look at Sharon Engelstein's eclectic studio, settled in the core of Houston's Museum District. Engelstein's studio is a breath of creative fresh air, fully equipped with a professional-grade kiln, her collection of colorful children's toys and all other essential elements to her creative process.
Sharon Engelstein's kiln
Engelstein's "Dillidiidae" at Hermann Park
Engelstein is commonly known for her sculpture “Dillidiidae” that is currently on view in Hermann Park. This exuberant piece has served the community as a public art landmark for the past two years. Her imaginative and anthropomorphic forms range in scale, material, and purpose, and KAC was eager to see what's currently cooking in her studio.
Ceramic sculptures, "Feel Fine I" and "Feel Fine II"
Upon expressing our curiosity, Engelstein proudly revealed her growing collection of small organic clay sculptures. While staying true to her barnacle-like forms, she has temporarily stepped away from her meticulous planning process that traditionally plays a significant role in her work. This shift encourages Engelstein to work more intimately within her studio, allowing her sculptures to evolve into their own individual identities.
We can expect to see great things from Engelstein, who says her best work has yet to come. Sharon is represented in Houston by Devin Borden Gallery and will have her next exhibition in 2017.
Engelstein's work in progress clay sculpture
KAC asked Curator of The Menil Collection, Michelle White for an inside look into her daily life and points of inspiration. See what this Houston art community power house has to say.
Inside of The Menil Collection
KAC got an exclusive look at our newest neighbor, Capsule Gallery. True to it's name, the tucked away space on Main Street is quaint yet open and full of fresh and innovative ideas.
We had the pleasure of chatting with Capsule's owner and director, Sarah Sudhoff. Sarah's dynamic background reflects the gallery's whimsical and refined array of works. The innovative progarm combines contemporary photography and craft, representing emerging to established artists.
Capsule Gallery kicked off the summer with exhibition, Fibers of Design, featuring three craft artists, Amada Miller, Meghan Shimek, and Delaney Smith, who work in various textured mediums.
Texas based artist, Michael Kennaugh, talks art with KAC. In this exclusive interview Kennaugh describes his experience in the growing Houston art scene and the colorful inspiration behind his process. He also reveals a glimpse into his forthcoming body of work.
Michael Kennaugh, artist
KAC got together with Rainey Knudson for an exclusive interview discussing the forthcoming April 30th OFF ROAD event with William Wegman. Here is what Founder and Publisher of the Texas arts online magazine, Glasstire, has to say.
KAC is on the road to the Dallas Art Fair. We hit the ground running Thursday morning to be among the first to preview the fair. We are excited that the fair is getting stronger with the addition of new dealers, such as Carl Freedman, London, and Taymour Grahne Gallery, New York. We have also connected with our old friends: Wendi Norris, San Francisco, Lisa Cooley, New York, Bitforms, New York, and Tally Dunn, Dallas.
Casey Williams, Untitled, c.2012, acrylic on archival inkjet print. Exhibited at Art Palace Gallery.
Casey Williams, Untitled (detail), c.2012, acrylic on archival inkjet print. Exhibited at Art Palace Gallery.
As a long time friend of Casey Williams we were delighted when Art Palace put on an exquisite show of never before seen works by Williams. In conjunction with Fotofest Biennial 2016, a discussion panel revolving around Williams' final works was organized by his wife, Jo Ann, studio assistant, Nick Merriweather, and the owner of Texas Gallery, Frederika Hunter. The dialogue between the three was a culmination of reminisicing over Williams' work style, the meaning behind his final series, and the lasting mark he has made on the Houston art scene.
Casey Wiliams, Studies of 4 x 4 foot photographs
For Williams, expirimentaiton across all mediums and ideas is what led to his final series being known as the "painted-ons", where Williams would brush paint across his photographic images. Williams did not personally speak much about his art. However through Williams' life, it is indisputable of his love for the Houston ship channel and the influence it made on his work. Williams was particularly interested in the way a ship would float toward the surface as goods were unloaded, decreasing the ship's weight. The lower portion of the ship would then be repainted by the crewmen. The action of repainting is symbolic of Williams' paint strokes atop his own images. Many of the strokes are colors of blues and silvers, further symbolizing the shimmer and reflection of water and possibly an ode to his earlier silkscreen works, as well as becoming a meditative process for Williams.
Book compiled of photography by Casey Wiliams
Casey Williams noticed details that many would naturally overlook. He forced the viewer to go somewhere they would normally bypass, giving a new perspective to the world. Williams was a master at opening up our eyes to beauty.
Casey Williams, Untitled, c. 2012, acrylic on archival inkjet print on satin. Exhibited at Art Palace Gallery.
Casey Williams, Untitled & Untitled, c. 2012, acrylic on archivsl inkject print. Exhibited at Art Palace Gallery.
James Surls and Adrienne Johnson
James Surls flourishes in Houston! We were excited to have the opportunity to work with this Texas art icon on his site-specific suspended work that measures an impressive 14’ x 25’ x 19”. Surls’ Nature’s Language resides in and enhances a corporate lobby in the Woodlands.
TYart Art Handling expertly installing the sculpture