KAC in ATX: Kinzelman Art Consulting Completes 4 Site-Specific Commissions for Lobby Space

Tuesday, August 14, 2018 at 10:31 AM


Ruello's commissions installed at 500 w 2nd.  

Kinzelman Art Consulting partnered with Trammell Crow Company and CBRE on their new skyscraper located in Downtown, Austin. In close proximity to Austin's beloved Lady Bird Lake, the striking 500 West 2nd Street space, designed by Gensler, holds an impressive collection of tenants. The project goal was to activate the lobby with boldly infused color, and reflect Austin’s iconic flare.


Esparza's wall-based sculpture in the lobby space.  

"Art brings a new set of rules and compositions that juxtapose with architecture in ways that are unexpected and can be serendipitous. This building and lobby were conceived as hierarchic, one leading to the other and vice versa where momentary interruptions in the order allow for the individual to contemplate and enjoy being transported by the art."

- Tom Marsden, Associate, Gensler


Esparza detail image. 

El Paso-based artist Adrian Esparza, represented in Dallas by Cris Worley Fine Art, was selected to address the largest wall with his signature sarape artwork. This impressively sized piece, scaled specifically for the vertical wall, offers a visual push-pull effect with bold contrasting colors. The unique material usage in Esparza's work forms a natural dialogue across the lobby, where Erin Curtis’s equally active cut and layered painting is installed. Although indicative of Curtis's body of work, this piece in particular is intended to mimic the rapid growth and vibrant spirit of Austin, TX, where Curtis also resides.


Curtis's cut and layered painting in the lobby space. 

The collection continues around the corner with two large-scale paintings by Houston-based artist Robert Ruello, represented by Inman Gallery. These are Ruello’s largest works to date, functioning as murals to tenants entering the building through the garage elevators. Ruello digitally renders his compositions, then carefully transfers them onto canvas using tracing paper and various densities of paint and flashe. This technique informs a unique visual language transitioning between moments of bold expression and negative space. The building's collection upstairs includes works on paper by Nicola Lopez and Ross Bleckner, and a site-specific installation by Paul Fleming. 


KAC admiring Ruello's painting.

" KAC was wonderful to work with and made the entire process of selecting, commissioning and installing each piece at 500 W 2nd Street stress free for the ownership team. The art has completed our lobby and activated the borders of the space while staying true with the original design intent. Our tenants enjoy the pop of color and the energy it brings to their daily life. " 

-Kristi English, Development Manager, Trammell Crow Company

KAC Project Announcements: Trammell Crow's Energy Center 5 and Vitol

Monday, November 28, 2016 at 3:49 PM

Trammell Crow's Energy Center 5

Kinzelman Art is proud to announce the completion of two site-specific commissions created for Trammell Crow's Energy Center 5 building lobby located in the Houston Energy Corridor. In May 2016 we installed these unique works of art by artists, Val Britton and Ara Peterson enhancing the elegance of the interiors and infusing energy into the lobby.

"Many of my colleagues are not familiar with the dynamics and environments of the art world, therefore it can certainly be intimidating to approach, but working with Julie and her team, we found that the process was very inviting and approachable. The two artists that were selected were highly vetted, and we all feel we selected two representative pieces that are spot on for the opportunity." - Cody Armbrister, Senior Managing Director, CBRE 


Ara Peterson, "Travertine Wavepack" and Val Britton, "Continental Collision"

Click here to view the video: Val Britton and Ara Peterson Site- Specific Installations.
 

Vitol

With more than 40 offices worldwide, international energy trading company, Vitol, has one of its largest operations in the Upper Kirby neighborhood of Houston, Texas. Kinzelman Art organized the relocation and exhibition of Vitol's art collection, (as managed by Kinzelman Art since 2010), to Vitol's new award winning offices designed by interior architecture firm, PDR Corporation. Successfully working in tandem with one another, the modern art collection and the sophisticated interior architecture expands one's experience of the typical corporate environment by creating a progressive, museum-like work place environment. 

"We have an appreciation and understanding of the unique role that art can have in the workplace.  Over the years, Julie and her team have been instrumental in the selection of new pieces to add to our collection.  Our new work space was designed to intentionally highlight certain works, so proper selection and placement was critical.  Kinzelman Art made that process very simple and the end result is better than what we had initially envisioned." -Scott Adams, HR and Administration, Vitol


Christian Eckart, "Hexagonal Perturbation​"


Ellsworth Kelly, "Oak Series"


Terry Winters, "Picture Cell", Rusty Scruby, "Family" and "Blue Bucket", and Hana Hillerova, "Houston Can You Hear Me?"


Andy Moses, "Kodachrome Basin"

KAC Current Project Highlights

Tuesday, July 5, 2016 at 9:49 AM

Corporate Collection Project

Kinzelman Art is celebrating the completion of a 4-year, comprehensive art management initiative for a corporate client collection. Managing this collection has been a significant opportunity for Kinzelman Art, and we are proud of our dedicated efforts and achievements through this ambitious undertaking. KAC is honored to have been selected to expertly lead this outstanding collection.


 
Chermayeff and GeismarRed "O" Tower


 Soo Sunny ParkCapturing Light

Hughes Landing Project

Recognized by the Houston Business Journal as the 2016 recipient of the Landmark Award in mixed-use development, Hughes Landing is a 66-acre master planned community located in The Woodlands that features numerous works of public art throughout. Continuing the collecting philosophy of The Woodlands, Hughes Landing retained Kinzelman Art Consulting to procure and commission several public works of art for select locations to further enhance the community.

 
Yvonne DomengeWind Waves

We were thrilled to add to the magnetism of Hughes Landing via the placement of invigorating works of art by such artists as Mexico City based Yvonne Domenge, and Washington State artist Julie Speidel. We find that the overall success is seeing these public works of art serve to unify the community through an artful experience.


Julie Speidel, Glacier Series

Celebrating Adrienne Johnson's 10 Years at KAC

Thursday, February 18, 2016 at 7 AM


by Julie Kinzelman

I recall interviewing Adrienne 10 years ago to fill the role of Jr. Associate, and thinking how uncanny it was that she seemed so familial. I was instantly impressed with her accessibility, curiosity and ambition. Fast forward to 2016, and Adrienne has now positioned herself in a prominent role as Vice President of Kinzelman Art. 

Adrienne has an unfaltering work ethic and is genuinely passionate about advancing her knowledge and experience. With every year that passes, I grow in admiration of her dedication to polishing her skills as an advisor. She has the best sense of design, exquisite taste, and a sharp sense of humor.

I owe a tremendous amount to Adrienne as she has greatly contributed to the growth of the company. She supports the company’s ethos and displays unending faith in the possibility of our future.

I sat down with Adrienne to walk down memory lane and reflect upon her 10 years at Kinzelman Art - here's a bit of our discussion...


JK: When you think back to the beginning of your career, you've experienced so much- can you reflect upon a few highlights? Did it take a while to put together what your role as an advisor was going to be?

AJ: I entered this position with a lot of the necessary skills, but it took me some time to master the depth and diversity of the tasks. Every day was different and I was devouring as much knowledge as I could. Even the somewhat menial tasks were thrilling; it was a very exciting time for me.


JK: At this stage in your career, what aspects of your work excite you, and what do you aspire to accomplish that you haven't already?

AJ: What I love about my job is the creative license. Having the opportunity to utilize creativity and imagination is truly fulfilling. As for what I aspire for, truthfully, I just want to continue to challenge myself towards growth. I'm more focused on a broad concept rather than a task or a number, it's about philosophical achievements for me.


JK: What are aspects of working at KAC that you feel proud about and might differentiate us from anybody else in the city that's doing this too?

AJ: It's the level of care that we put towards our work that I am so proud of. At KAC our goals go beyond making the client happy. It’s about making sure that the art shines and functions seamlessly in the client’s environment and expands into a more broad spectrum view of the success of the collection as a whole. 


JK: After 10 years in the art industry, what are some of the trends in the market or in collecting that you've experienced? What have you seen and what's notable to you?

AJ: In the past five years, I’ve noticed our clients purchasing more cutting edge and conceptual works of art. There is a clear trend towards seeking artworks that express sophistication and simultaneously push boundaries. I love that collectors are pushing beyond traditional styles and media and are more open and receptive to buying new media and exploring new materials.


JK: You grew up with an artist as a mother. Tell me about how your upbringing influences your work today.

AJ: This part of my personal history is integral to my identity as an arts professional. From a very young age, I was exposed to the broad and diverse art community in Houston. My parents’ social structure was built of artists and as an only child I had the opportunity to learn how to interact and communicate with creative people. Furthermore, I spent a lot of time in my mother’s art studio as a child and I became comfortable in the setting. Today, a studio visit with an artist is a special treat for me as it feels both familiar and fresh. For my mother, her practice was her profession and she was very dedicated to it. It instilled in me the understanding of the innate need to create work and as a result I have a deep respect for the discipline it takes to be an artist. These experiences have taught me invaluable lessons of how to navigate between the creative and business worlds.


JK: What is on your bucket list for the future?

AJ: Travel is always on my mind. I love the learning opportunities that arise through stepping out of my comfort zone and visiting a new place.

KAC Interview: Julia Stallcup, Associate at KAC

Wednesday, November 18, 2015 at 2 PM

Introducing the KAC Let's Talk Art Interview series! Inspired by Andy Warhol's iconic Interview interview, this series features some of our favorite artists, curators, and creative fixtures in the art world that are on our radar at the moment. Kicking-off this series is our very own Julia Stallcup who recently was promoted to Associate here at Kinzelman Art.

WELCOME TO THE KAC BLOG: "Let's Talk Art"

Thursday, July 24, 2014 at 3:20 PM

We are excited to share news about our art endeavors, happenings within our community AND what we find interesting in the art market…so, let’s talk art!

TAGS   KAC News